AI LAB Radio #4: Birgitte Aga & Coral Manton
The work of artist-technologist duo Birgitte Aga and Coral Manton aims at (re)claiming conversational AI systems as a medium for protest.
AI LAB Radio #3: Karen Palmer
In the current AI LAB Radio we are broadcasting an interview with the artist and storyteller from the future - Karen Palmer. She was awarded with this year’s STARTS Prize Honorary Mention for her...
AI LAB Radio #2: Mimi Ọnụọha
Mimi Ọnụọhas work highlights the social relationships and power dynamics behind data collection
AI LAB Radio #1: Stephanie Dinkins
In the first AI LAB Radio show we are broadcasting an interview with the transmedia artist Stephanie Dinkins.
Art & Science: Artist in Residence
In the first edition of ARS Radio we are presenting two artists-in-residence within the 2016 art&science@ESA Open Call - Aoife van Linden Tol and Sarah Petkus.
art & science: #5
In the final art & science broadcast we will introduce all the seven European cultural partners in the European Digital Art and Science Network.
art & science: # 4
In the 4th art & science radio broadcast you will hear parts of the symposium "Future Mobility - A Challenge for Art and Science", which took place during the Ars Electronica Festival 2015.
art & science: #3
In the current "art & science broadcast we present the artist duo "Semiconductor", this years recipients of the Collide@CERN Ars Electronica Award. We talk to Joe Gerhardt, half of the winning...
art & science: #2
In the second "art & science" radio broadcast you will hear an interview with María Ignacia Edwards, a recipient of the first art & science residency, and recording from the Prix Forum where she...
art & science: #1
In the first "art & science" radio broadcast you will hear the recordings from AEC press conference and press tour titled "The Elements of Art and Science".
Big Concert Night
On Sunday 8th September, the Big Concert Night took place in Lentos Kunstmuseum and Brucknerhaus.
Frauenstimmen in Archiven
Claudia Schmölders über das Archivieren von Stimmen Sowie kritische Anmerkungen an das technikverliebte ARS-Festival